the toni morrison society

ARTICLES

  1. Abádi-Nagy, Zoltán. "Fabula and Culture: Case Study of Toni Morrison's Jazz."
    European Journal of English Studies 8.1 (2004): 13-25.

  2. Agbajoh-Laoye, G. Oty. "Motherline, Intertext and Mothertext: African Diasporic Linkages in Beloved and the Joys of Motherhood." Literary Griot: International Journal of Black Expressive Cultural Studies 13.1-2 (2001): 128-46.

  3. Aguiar, Sarah Appleton. "Passing on Death: Stealing Life in Toni Morrison's Paradise." African American Review 38.3 (2004): 513-19.

  4. Albrecht-Crane, Christa. "Becoming Minoritarian: Post-Identity in Toni Morrison's Jazz." Journal of the Midwest Modern Language Association 36.1 (2003): 56-73.

  5. Alliot, Bénédicte. "Images De l'Amérique Noire: Dans Beloved De Toni Morrison: La Representation En Question." Revue Française d'Etudes Américaines 89 (2001): 86-97.

  6. Als, Hilton. "Ghosts in the House: How Toni Morrison Fostered a Generation of Black Writers." New Yorker 79.32 (2003): 64-75.

  7. Antonucci, Clara. "La Poesia Della Storia: Parola Del Mito e Grido Della Memoria in Song of Solomon Di Toni Morrison." Cuadernos de Literatura Inglesa y Norteamericana 8.1-2 (2005): 39-59.

  8. Atlas, Marilyn J. "The Issue of Literacy in America: Slave Narratives and Toni Morrison's The Bluest Eye." Midamerica: The Yearbook of the Society for the Study of Midwestern Literature 27 (2000): 106-18.

  9. Azevedo, Mail Marques de. "Timeless People in Afro-American Culture: The Female Ancestor in Maya Angelou and Toni Morrison." Estudos Anglo-Americanos 19-24 (1995): 139-44.

  10. Baillie, Justine. "Contesting Ideologies: Deconstructing Racism in African-American Fiction." Women: A Cultural Review 14.1 (2003): 20-37.

  11. Bennett, Juda. "Toni Morrison and the Burden of the Passing Narrative." African American Review 35.2 (2001): 205-17.

  12. Bidney, Martin. "Creating a Feminist-Communitarian Romanticism in Beloved: Toni Morrison's New Uses for Blake, Keats, and Wordsworth." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 36.3 (2000): 271-301.

  13. Bloom, Harold. "Two African-American Masters of the American Novel." Journal of Blacks in Higher Education 28 (2000): 89-93.

  14. Booher, Mischelle. "'It's Not the House': Beloved as Gothic Novel." Readerly/Writerly Texts: Essays on Literature, Literary/Textual Criticism, and Pedagogy 9.1-2 (2001): 117-31.

  15. Bradfield, Scott. "Why I Hate Toni Morrison's Beloved." Denver Quarterly 38.4 (2004): 86-99.

  16. Brown, Caroline. "Golden Gray and the Talking Book: Identity as a Site of Artful Construction in Toni Morrison's Jazz." African American Review 36.4 (2002): 629-42.

  17. Buchanan, Jeffrey M. "'A Productive and Fructifying Pain': Storytelling as Teaching in The Bluest Eye." Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy 50 (2004): 59-75.

  18. Buehrer, David. "American History X, Morrison's Song of Solomon, and the Psychological Intersections of Race, Class, and Place in Contemporary America." Journal of Evolutionary Psychology 25.1-2 (2004): 18-23.

  19. Bus, Heiner. "'Good Fences Make Good Neighbors?': Open and Closed Borders in the Fictions of Paule Marshall, Toni Morrison, and Michelle Cliff, and in José Martí's 'Our America.’" Revista Canaria de Estudios Ingleses 43 (2001): 119-32.

  20. Capuano, Peter J. "Singing Beyond Frederick Douglass: Toni Morrison's Use of Song in Beloved." MAWA Review 16.1-2 (2001): 60-66.

  21. ---. "Singing Beyond Frederick Douglass: Toni Morrison's Use of Song in Beloved." Literary Griot: International Journal of Black Expressive Cultural Studies 13.1-2 (2001): 120-7.

  22. ---. "Truth in Timbre: Morrison's Extension of Slave Narrative Song in Beloved." African American Review 37.1 (2003): 95-103.

  23. Carcassonne, Manuel. "Toni Morrison: 'J'Ai Une Conception Antiaméricaine De l'Histoire.’" Magazine Littéraire 433 (2004): 81-3.

  24. Chang, Shu-li. "Daughterly Haunting and Historical Traumas: Toni Morrison's Beloved and Jamaica Kincaid's The Autobiography of My Mother." Concentric: Literary and Cultural Studies 30.2 (2004): 105-27.

  25. Cheng, Anne Anlin. "Wounded Beauty: An Exploratory Essay on Race, Feminism, and the Aesthetic Question." Tulsa Studies in Women's Literature 19.2 (2000): 191-217.

  26. Ciuba, Gary M. "Living in a 'World of Others' Words': Teaching Morrison and Faulkner." Proteus: A Journal of Ideas 21.2 (2004): 13-20.

  27. Clewell, Tammy. "From Destructure to Constructive Haunting in Toni Morrison's Paradise." West Coast Line 37.36 (2002): 130-42.

  28. Closser, Raleen. "Morrison's Sula." Explicator 63.2 (2005): 111.

  29. Cohen, Tom. "Politics of the Pre-Figural: Sula, Blackness, and the Precession of Trope." Parallax 8.1 (2002): 5-16.

  30. Cohen-Safir, Claude. "Female Gothic in America: The Uncanny Vision of Gilman, Jackson and Morrison." Letterature d'America: Rivista Trimestrale 21.86 (2001): 97-112.

  31. Collis, Steven. "Consumerism and the Gothic in Toni Morrison's Paradise." Proteus: A Journal of Ideas 21.2 (2004): 49-51.

  32. Constantino, Julia. "Paradojas Narrativas En Beloved." Anuario de Letras Modernas 10 (2000): 83-102.

  33. Cottle, Thomas J. "The Reflection of Values: A Response to Toni Morrison." Michigan Quarterly Review 40.2 (2001): 279-87.

  34. Cullinan, Colleen Carpenter. "A Maternal Discourse of Redemption: Speech and Suffering in Morrison's Beloved." Religion and Literature 34.2 (2002): 77-104.

  35. Cutter, Martha J. "The Story Must Go On: The Fantastic, Narration, and Intertextuality in Toni Morrison's Beloved and Jazz." African American Review 34.1 (2000): 61-75.

  36. Dalsgard, Katrine. "The One all-Black Town Worth the Pain: (African) American Exceptionalism, Historical Narration, and the Critique of Nationhood in Toni Morrison's Paradise." African American Review 35.2 (2001): 233-48.

  37. Daniel, Janice Barnes. "Function or Frill: The Quilt as Storyteller in Toni Morrison's Beloved." Midwest Quarterly: A Journal of Contemporary Thought 41.3 (2000): 321-29.

  38. Daniels, Jean. "The Call of Baby Suggs in Beloved: Imagining Freedom in Resistance and Struggle." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc. 21.2 (2002): 1-7.

  39. Daniels, Steven V. "Putting 'His Story Next to Hers': Choice, Agency, and the Structure of Beloved." Texas Studies in Literature and Language 44.4 (2002): 349-68.

  40. Dauterich, Edward. "Hybrid Expression: Orality and Literacy in Jazz and Beloved." Midwest Quarterly: A Journal of Contemporary Thought 47.1 (2005): 26-39.

  41. Davidson, Rob. "Racial Stock and 8-Rocks: Communal Historiography in Toni Morrison's Paradise." Twentieth Century Literature: A Scholarly and Critical Journal 47.3 (2001): 355-73.

  42. De Angelis, Rose. "Morrison's Sula." Explicator 60.3 (2002): 172-4.

  43. ---. "Rewriting the Black Matriarch: Eva in Toni Morrison's Sula." MAWA Review 16.1-2 (2001): 52-59.

  44. De Lancey, Dayle B. "Sweetness, Madness, and Power: The Confection as Mental Contagion in Toni Morrison's Tar Baby, Song of Solomon, and The Bluest Eye." In Process: A Journal of African American and African Diasporan Literature and Culture 2 (2000): 25-47.

  45. De Vita, Alexis Brooks. "Not Passing on Beloved: The Sacrificial Child and the Circle of Redemption." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc. 19.1 (2000): 1-12.

  46. Delashmit, Margaret. "The Bluest Eye: An Indictment." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc. 20.1 (2001): 12-18.

  47. Dussere, Erik. "Accounting for Slavery: Economic Narratives in Morrison and Faulkner." MFS: Modern Fiction Studies 47.2 (2001): 329-55.

  48. Dutton, Denis. "'Dare to Think for Yourself': A Response to Toni Morrison." Michigan Quarterly Review 40.2 (2001): 288-94.

  49. Duvall, John N. "Parody or Pastiche? Kathy Acker, Toni Morrison, and the Critical Appropriation of Faulknerian Masculinity." Faulkner Journal 15 (1999): 169-84.

  50. Dyer, Joyce. "Reading The Awakening with Toni Morrison." Southern Literary Journal 35.1 (2002): 138-54.

  51. Elbert, Monika. "Persephone's Return: Communing with the Spirit-Daughter in Morrison and Allende." Journal of the Association for Research on Mothering 4.2 (2002): 158-70.

  52. Elia, Nada. "'Kum Buba Yali Kum Buba Tambe, Ameen, Ameen, Ameen' did some Flying Africans Bow to Allah?" Callaloo: A Journal of African-American and African Arts and Letters 26.1 (2003): 182-202.

  53. Elliot, Mary Jane Suero. "Postcolonial Experience in a Domestic Context: Commodified Subjectivity in Toni Morrison's Beloved." MELUS 25 (2000): 181-202.

  54. Ellis, R. J. "'High Standards for White Conduct': Race, Racism and Class in Dangling Man." Saul Bellow Journal 16-17.2-2 (2000): 26-50.

  55. Entzminger, Betina. "Playing in the Dark with Welty: The Symbolic Role of African Americans in Delta Wedding." College Literature 30.3 (2003): 52.

  56. Eppert, Claudia. "Histories Re-Imagined, Forgotten and Forgiven: Student Responses to Toni Morrison's Beloved." Changing English: Studies in Reading and Culture 10.2 (2003): 185-94.

  57. Farkas, Alessandra. Suplemento Cultura La Nación (Buenos Aires) (2002): 1-8.

  58. FitzGerald, Jennifer. "Signifyin(g) on Determinism: Commodity, Romance and Bricolage in Toni Morrison's Jazz." Lit: Literature Interpretation Theory 12.4 (2001): 381-409.

  59. FitzPatrick, Martin. "Indeterminate Ursula and 'Seeing how it must have Looked,' Or 'the Damned Lemming' and Subjunctive Narrative in Pynchon, Faulkner, O'Brien, and Morrison." Narrative 10.3 (2002): 244-61.

  60. Flanagan, Joseph. "The Seduction of History: Trauma, Re-Memory, and the Ethics of the Real." CLIO: A Journal of Literature, History, and the Philosophy of History 31.4 (2002): 387+.

  61. Fox, Gail. "Biblical Connections in Toni Morrison's Paradise." Notes on Contemporary Literature 34.3 (2004): 7-8.

  62. Fraile Marcos, Ana Ma. "The Religious Overtones of Ethnic Identity-Building in Toni Morrison's Paradise." Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos 24.2 (2002): 95-116.

  63. Fraile-Marcos, Ana María. "Hybridizing the 'City upon a Hill' in Toni Morrison's Paradise." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 28.4 (2003): 3-33.

  64. Friedman, Edward H. "Prodigal Sons, Prodigious Daughters: Irony and the Picaresque Tradition." Calíope: Journal of the Society for Renaissance & Baroque Hispanic Poetry 6.1-2 (2000): 123-38.

  65. Fujihira, Ikuko. "'Watashi' o Kataru Kenkyusha no Yutsu (to Kaikatsu)." Eigo Seinen/Rising Generation 147.5 (2001): 276-8.

  66. Fulton, Lorie Watkins. "Hiding Fire and Brimstone in Lacy Groves: The Twinned Trees of Beloved." African American Review 39 (2005): 189-99.

  67. Fuston-White, Jeanna. "'From the Seen to the Told': The Construction of Subjectivity in Toni Morrison's Beloved." African American Review 36.3 (2002): 461-73.

  68. Gauthier, Marni. "The Other Side of Paradise: Toni Morrison's (Un)Making of Mythic History." African American Review 39.3 (2005): 395-414.

  69. Gillan, Jennifer. "Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and The Bluest Eye." African American Review 36.2 (2002): 283-98.

  70. Gómez, C. Martha. "El Espejo Del Otro: Reflexiones Sobre Identidad De Género En Toni Morrison." Káñina: Revista de Artes y Letras de la Universidad de Costa Rica 24.2 (2000): 37-43.

  71. Grandt, Jürgen. "Kinds of Blue: Toni Morrison, Hans Janowitz, and the Jazz Aesthetic." African American Review 38.2 (2004): 303-22.

  72. Greenbaum, Vicky. "Teaching Beloved: Images of Transcendence." English Journal 91.6 (2002): 83-7.

  73. Greenway, Gina Nicole. "Into the Wood: The Image of the Chokecherry Tree in Toni Morrison's Beloved." Proteus: A Journal of Ideas 21.2 (2004): 3-7.

  74. Griesinger, Emily. "Why Baby Suggs, Holy, Quit Preaching the Word: Redemption and Holiness in Toni Morrison's Beloved." Christianity and Literature 50.4 (2001): 689-702.

  75. Grobman, Laurie. "Postpositivist Realism in the Multicultural Writing Classroom: Beyond the Paralysis of Cultural Relativism." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 3.2 (2003): 205-25.

  76. Hakutani, Yoshinobu. "Richard Wright, Toni Morrison, and the African 'Primal Outlook upon Life'." Southern Quarterly: A Journal of the Arts in the South 40.1 (2001): 39-53.

  77. Hallberg, Anna Victoria. "Vad Är En Läsare? Om Toni Morrison’s Beloved Och Begreppet 'Response-Ability'." Tidskrift för Litteraturvetenskap 1-2 (2003): 5-32.

  78. Harris, Ashleigh. "Toni Morrison and Yvonne Vera: An Associative Fugue." Scrutiny2: Issues in English Studies in Southern Africa 9.1 (2004): 6-18.

  79. Harris, William. "Nobel Laureates: Toni Morrison and William Faulkner." Proteus: A Journal of Ideas 21.2 (2004): v+.

  80. Hart, Stephen M. "Magical Realism in the Americas: Politicised Ghosts in One Hundred Years of Solitude, the House of the Spirits, and Beloved." Tesserae: Journal of Iberian and Latin American Studies 9.2 (2003): 115-23.

  81. Hayes, Elizabeth T. "The Named and the Nameless: Morrison's 124 and Naylor's 'The Other Place' as Semiotic Chorae." African American Review 38.4 (2004): 669-81.

  82. Hewlett, Peter. "Messianic Time in Toni Morrison's Beloved." Agora: An Online Graduate Journal 1.1 (2001).

  83. Hoem, Sheri I. "Disabling Postmodernism: Wideman, Morrison and Prosthetic Critique." Novel: A Forum on Fiction 35 (2002): 193.

  84. Hogue, W. Lawrence. "Postmodernism, Traditional Cultural Forms, and the African American Narrative: Major's Reflex, Morrison's Jazz, and Reed's Mumbo Jumbo." Novel: A Forum on Fiction 35 (2002): 169.

  85. Hsu, Lina. "Aesthetic Experience of the Novel: The Narrative of Toni Morrison's Sula." Studies in Language and Literature 9 (2000): 289-329.

  86. Huang, Hsin-ya. "Three Women's Texts and the Healing Power of the Other Woman." Concentric: Literary and Cultural Studies 28.1 (2003): 153-80.

  87. Humann, Heather Duerre. "Bigotry, Breast Milk, Bric-a-Brac, a Baby, and a Bit in Beloved: Toni Morrison's Portrayal of Racism and Hegemony." Interdisciplinary Literary Studies: A Journal of Criticism and Theory 6.1 (2004): 60-78.

  88. Ingram, Penelope. "Racializing Babylon: Settler Whiteness and the 'New Racism.’" New Literary History: A Journal of Theory and Interpretation 32.1 (2001): 159-76.

  89. Insko, Jeffrey. "Literary Popularity: Beloved and Pop Culture." Lit: Literature Interpretation Theory 12.4 (2001): 427-47.

  90. Jarrett, Gene. "'Couldn't Find them Anywhere': Thomas Glave's Whose Song? (Post)Modernist Literary Queerings, and the Trauma of Witnessing, Memory, and Testimony." Callaloo: A Journal of African-American and African Arts and Letters 23.4 (2000): 1241-58.

  91. Jones, Jacqueline M. "When Theory and Practice Crumble: Toni Morrison and White Resistance." College English 68.1 (2005): 57-71.

  92. Jones, Jill C. "The Eye of a Needle: Morrison's Paradise, Faulkner's Absalom, Absalom!, and The American Jerimiad." Faulkner Journal 17.2 (2002): 3-23.

  93. Kang, Nancy. "To Love and Be Loved: Considering Black Masculinity and the Misandric Impulse in Toni Morrison's Beloved." Callaloo: A Journal of African-American and African Arts and Letters 26.3 (2003): 836-54.

  94. Kanthak, John F. "Feminisms in Motion: Pushing the 'Wild Zone' Thesis into the Fourth Dimension." Lit: Literature Interpretation Theory 14.2 (2003): 149-63.

  95. Kawash, Samira. "Haunted Houses, Sinking Ships: Race, Architecture, and Identity in Beloved and Middle Passage." CR: The New Centennial Review 1.3 (2001): 67-86.

  96. Kearly, Peter R. "Toni Morrison's Paradise and the Politics of Community." Journal of American & Comparative Cultures 23.2 (2000): 9-16.

  97. Kellman, Sophia N. "To be Or Not to Be (Loved)." Black Issues in Higher Education 18.7 (2001): 29-31.

  98. Kérchy, Anna. "Wild Words: Jazzing the Text of Desire: Subversive Language in Toni Morrison's Jazz." AnaChronisT (2002): N. pag.

  99. Kim, Min-Jung. "Expanding the Parameters of Literary Studies: Toni Morrison's Paradise." Journal of English Language and Literature/Yongo Yongmunhak 47.4 (2001): 1017-40.

  100. Kim, Myung Ja. "Literature as Engagement: Teaching African American Literature to Korean Students." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 29 (2004): 103-20.

  101. Kim, Yeonman. "Involuntary Vulnerability and the Felix Culpa in Toni Morrison's Jazz." Southern Literary Journal 33.2 (2001): 124-33.

  102. King, Nicole. "'You Think Like You White': Questioning Race and Racial Community through the Lens of Middle-Class Desire(s)." Novel: A Forum on Fiction 35 (2002): 211.

  103. Kintz, Linda. "Performing Virtual Whiteness: The Psychic Fantasy of Globalization." Comparative Literature 53.4 (2001): 333-53.

  104. Knadler, Stephen. "Domestic Violence in the Harlem Renaissance: Remaking the Record from Nella Larsen's Passing to Toni Morrison's Jazz." African American Review 38.1 (2004): 99-118.

  105. Krumholz, Linda J. "Reading and Insight in Toni Morrison's Paradise." African American Review 36.1 (2002): 21-34.

  106. Kurdi, Mária. " ‘Teenagers' 'Gender Trouble' and Trickster Aesthetics in Gina Moxley's Danti Dan." ABEI Journal: The Brazilian Journal of Irish Studies 4 (2002): 67-82.

  107. Kwon, Teckyoung. "[Toni Morrison's Sula: 'we was girls together']." Studies in Modern Fiction 9.1 (2002): 5-28.

  108. Laforest, Marie Hélène. "Whose Story, Whose World? Speaking the Unspoken in Toni Morrison and John M. Coetzee." Annali dell'Istituto Orientale di Napoli-sezione germanica: Anglistica 4.1 (2000): 135-59.

  109. Lavoie, Judith. "La Présence De Huck Finn Dans Beloved: Quels Enjeux Pour La Traduction?" Post-Scriptum.org: Revue de Recherche Interdisciplinaire en Textes et Médias 3 (2003): 19 pars.

  110. Lazenbatt, Bill. "Toni Morrison, Silence and Resistance: A Reading of Huckleberry Finn and Beloved." Irish Journal of American Studies 9 (2000): 184-219.

  111. Lee, Soo-Hyun. "[The Bluest Eye: Tragic Aspects of Black Consciousness of the Self]." Studies in Modern Fiction 9.1 (2002): 195-217.

  112. Leontis, Artemis. "'What Will I Have to Remember?': Helen Papanikolas's Art of Telling." Journal of the Hellenic Diaspora 29.2 (2003): 15-26.

  113. LeSeur, Geta. "Moving Beyond the Boundaries of Self, Community, and the Other in Toni Morrison's Sula and Paradise." CLA Journal 46.1 (2002): 1-2.0

  114. ---. "'Sweet Desolation' and Seduction in Toni Morrison's Jazz." Popular Culture Review 16.1 (2005): 21-30.

  115. Lucy, Crystal J. "Ancestral Wisdom in Toni Morrison's The Bluest Eye." Proteus: A Journal of Ideas 21.2 (2004): 21-26.

  116. Ludigkeit, Dirk. "Collective Improvisation and Narrative Structure in Toni Morrison's Jazz." Lit: Literature Interpretation Theory 12.2 (2001): 165-87.

  117. Madigan, Mark. "Richard Wright, Toni Morrison, and United States Book Clubs." Acta Neophilologica 37.1-2 (2004): 3+.

  118. Mahaffey, Paul. "Rethinkng Biracial Female Sexuality in Toni Morrison's Tar Baby." Proteus: A Journal of Ideas 21.2 (2004): 38-42.

  119. Malmgren, Carl D. "Texts, Primers, and Voices in Toni Morrison's The Bluest Eye." Critique: Studies in Contemporary Fiction 41.3 (2000): 251-62.

  120. Mandel, Naomi. "'I Made the Ink': Identity, Complicity, 60 Million, and More." MFS: Modern Fiction Studies 48.3 (2002): 581-613.

  121. Mayberry, Susan Neal. "Something Other than a Family Quarrel: The Beautiful Boys in Morrison's Sula." African American Review 37.4 (2003): 517-33.

  122. Mayo, James. "Morrison's The Bluest Eye." Explicator 60.4 (2002): 231-4.

  123. McCarthy, Cameron. ARIEL: A Review of International English Literature 31.1-2 (2000): 231-53.

  124. McCoy, Beth A. College English 68.1 (2005): 42-71.

  125. ---. "Trying Toni Morrison Again." College English 68.1 (2005): 43-57.

  126. McDermott, Ryan P. "Silence, Visuality, and the Staying Image: The 'Unspeakable Scene' of Toni Morrison's Beloved." Angelaki 8.1 (2003): 75-89.

  127. McKee, Patricia. "Geographies of Paradise." CR: The New Centennial Review 3.1 (2003): 197-223.

  128. McWilliams, Mark B. "The Human Face of the Age: The Physical Cruelty of Slavery and the Modern American Novel." Mississippi Quarterly: The Journal of Southern Cultures 56.3 (2003): 353-72.

  129. Mermann-Jozwiak, Elisabeth. "Re-Membering the Body: Body Politics in Toni Morrison's The Bluest Eye." Lit: Literature Interpretation Theory 12.2 (2001): 189-203.

  130. Michael, Magali Cornier. "Re-Imagining Agency: Toni Morrison's Paradise." African American Review 36.4 (2002): 643-61.

  131. Midzic, Simona. "Responses to Toni Morrison's Oeuvre in Slovenia." Acta Neophilologica 36.1-2 (2003): 49-61.

  132. Miller, D. Quentin. "'Making a Place for Fear': Toni Morrison's First Redefinition of Dante's Hell in Sula." English Language Notes 37.3 (2000): 68-75.

  133. Moffitt, Letitia. "Finding the Door: Vision/Revision and Stereotype in Toni Morrison's Tar Baby." Critique: Studies in Contemporary Fiction 46.1 (2004): 12-26.

  134. Mohanty, Satya. "The Epistemic Status of Cultural Identity: On Beloved and the Postcolonial Condition." Cultural Logic: An Electronic Journal of Marxist Theory and Practice 3.1-2 (1999): 46 pars.

  135. Moreira-Slepoy, Graciela. "Toni Morrison's Beloved: Reconstructing the Past through Storytelling and Private Narratives." Post-Scriptum.org: Revue de Recherche Interdisciplinaire en Textes et Médias 2 (2003): 13 pars.

  136. Morgenstern, Naomi. "Literature Reads Theory: Remarks on Teaching with Toni Morrison." University of Toronto Quarterly: A Canadian Journal of the Humanities 74.3 (2005): 816-28.

  137. Mori, Aoi. "Toni Morrison no Sakuhin Rakuen (Paradaisu) no Shittsui to Iyashi: Paradaimu Shifuto to Tasha no Shisen Kara no Kaiho." Chu-Shikoku Amerika Bungaku Kenkyu/Chu-Shikoku Studies in American Literature 38 (2002): 42-4.

  138. Mueller, Agnes C. "Female Stories of Migration in Emine Sevgi Özdamar's Das Leben Ist Eine Karawanserei and in Toni Morrison's Beloved." Colloquia Germanica: Internationale Zeitschrift für Germanistik 36.3-4 (2003): 303-14.

  139. Muñoz, Patricia. "'On the Edge of the Main Body': Womanhood, Race and Myth-Making in Toni Morrison's Beloved and Gayl Jones' Corregidora and Song for Anninho." BELL: Belgian Essays on Language and Literature (2002): 109-20.

  140. Murray, Robin. "Textual Authority, Reader Authority, and Social Authority: Reconfiguring Literature and Experience in a Reader-Response Context." Readerly/Writerly Texts: Essays on Literature, Literary/Textual Criticism, and Pedagogy 8.1-2 (2000): 9-21.

  141. Ogunyemi, Chikwenye Okonjo. "An Abiku-Ogbanje Atlas: A Pre-Text for Rereading Soyinka's Aké and Morrison's Beloved." African American Review 36.4 (2002): 663-78.

  142. Okonkwo, Christopher N. "A Critical Divination: Reading Sula as Ogbanje-Abiku." African American Review 38.4 (2004): 651-68.

  143. Otero-Blanco, Angel. "The African Past in America as a Bakhtinian and Levinasian Other. 'Rememory' as Solution in Toni Morrison's Beloved." Miscelánea: A Journal of English and American Studies 22 (2000): 141-58.

  144. Othow, Helen Chavis. "Comedy in Morrison's Terrestrial Paradise." CLA Journal 47.3 (2004): 366-73.

  145. Page, Philip. "Furrowing all the Brows: Interpretation and the Transcendent in Toni Morrison's Paradise." African American Review 35.4 (2001): 637-51.

  146. Paquet-Deyris, Anne-Marie. "Toni Morrison's Jazz and the City." African American Review 35.2 (2001): 219-31.

  147. Parker, Emma. "A New Hysteria in Toni Morrison's Beloved." Twentieth Century Literature: A Scholarly and Critical Journal 47.1 (2001): 1-19.

  148. Potter, George. "Forced Domination: Intersections of Sex, Race and Power in Light in August and The Bluest Eye." Proteus: A Journal of Ideas 21.2 (2004): 43-48.

  149. Quashie, Kevin Everod. "The Other Dancer as Self: Girlfriend Selfhood in Toni Morrison's Sula and Alice Walker's The Color Purple." Meridians: Feminism, Race, Transnationalism 2.1 (2001): 187-217.

  150. Rand, Lizabeth A. "we all that's left: Identity Formation and the Relationship between Eva and Sula Peace." CLA Journal 44.3 (2001): 341-49.

  151. Ranghetti, Clara. "Un Io 'Indiscutibilmente, Inconfondibilmente Nero': Gli Scritti Di Toni Morrison." Visnyk Kharkivs'koho Natsional'noho Universytetu: Seria Filolohiia 84.1 (2001): 79-97.

  152. Raynaud, Claudine. "Toni Morrison: Site and Memory." GRAAT: Publication des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours 27 (2003): 219-36.

  153. Redding, Arthur. "'Haints': American Ghosts, Ethnic Memory, and Contemporary Fiction." Mosaic: A Journal for the Interdisciplinary Study of Literature 34.4 (2001): 163-82.

  154. Reid, E. Shelley. "Beyond Morrison and Walker: Looking Good and Looking Forward in Contemporary Black Women's Stories." African American Review 34.2 (2000): 313-28.

  155. Rodriguez, Denise. "'Where the Self that Had No Self Made its Home': The Reinscription of Domestic Discourse in Toni Morrison's Beloved." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc. 20.1 (2001): 40-51.

  156. Rody, Caroline. "Impossible Voices: Ethnic Postmodern Narration in Toni Morrison's Jazz and Karen Tei Yamashita's Through the Arc of the Rain Forest." Contemporary Literature 41.4 (2000): 618-41.

  157. Romero, Channette. "Creating the Beloved Community: Religion, Race and Nation in Toni Morrison's Paradise." African American Review 39.3 (2005): 415-30.

  158. Rothberg, Michael. "Dead Letter Office: Conspiracy, Trauma, and Song of Solomon's Posthumous Communication." African American Review 37.4 (2003): 501-16.

  159. Rózanska, Malgorzata. "Inspiracje Folklorem Murzynskim w Umilowanej Toni Morrison." Literatura Ludowa 45.4-5 (2001): 73-8.

  160. Rummell, Kathryn. "Toni Morrison's Beloved: Transforming the African Heroic Epic." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc. 21.1 (2002): 1-15.

  161. Ryan, Katy. "Revolutionary Suicide in Toni Morrison's Fiction." African American Review 34.3 (2000): 389-412.

  162. Salvatore, Anne T. "Toni Morrison's New Bildungsroman: Paired Characters and Antithetical Form in The Bluest Eye, Sula, and Beloved." Journal of Narrative Theory 32.2 (2002): 154-78.

  163. Sánchez Soto, Cristina I. "Between the Self and the Others: Subjective and Social Consciousness in Toni Morrison's Jazz and Dionne Brand's In Another Place, Not Here." Estudios Ingleses de la Universidad Complutense 10 (2002): 237-59.

  164. Sathyaraj, V. "'Dragon Daddies and False-Hearted Men': Patriarchy in Toni Morrison's Love." Notes on Contemporary Literature 35.5 (2005): 2-4.

  165. Schueller, Malini Johar. "Articulations of African-Americanism in South Asian Postcolonial Theory: Globalism, Localism, and the Question of Race." Cultural Critique 55 (2003): 35-62.

  166. Schur, Richard L. "Locating Paradise in the Post-Civil Rights Era: Toni Morrison and Critical Race Theory." Contemporary Literature 45.2 (2004): 276-99.

  167. Schur, Richard. "Dream Or Nightmare? Roth, Morrison, and America." Philip Roth Studies 1.1 (2005): 19-36.

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  170. Sherard, Tracey. "Women's Classic Blues in Toni Morrison's Jazz: Cultural Artifact as Narrator." Genders 31 (2000): 40 pars. (Electronic publication).

  171. Shiffman, Smadar. "Someone Else's Dream? an Approach to Twentieth Century Fantastic Fiction." Journal of the Fantastic in the Arts 13.4 (2003): 352-67.

  172. Spargo, R. Clifton. "Trauma and the Specters of Enslavement in Morrison's Beloved." Mosaic: A Journal for the Interdisciplinary Study of Literature 35.1 (2002): 113-31.

  173. Stewart, Jacqueline. "Negroes Laughing at Themselves? Black Spectatorship and the Performance of Urban Modernity." Critical Inquiry 29.4 (2003): 650-77.

  174. Story, Ralph D. "Sacrifice and Surrender: Sethe in Toni Morrison's Beloved." CLA Journal 46.1 (2002): 21-47.

  175. Sweeney, Megan. "Racial House, Big House, Home: Contemporary Abolitionism in Toni Morrison's Paradise." Meridians: Feminism, Race, Transnationalism 4.2 (2004): 40-67.

  176. Tae, Heasook. "[The Body in Black Women's Literature: Their Eyes Were Watching God and Sula]." Journal of English Language and Literature/Yongo Yongmunhak 46.1 (2000): 243-63.

  177. Tanaka, Hisao. "Fokuna to Morison no Kokujin Hyousho." Eigo Seinen/Rising Generation 147.2 (2001): 94,96, 100.

  178. Thomas, H. Nigel. "Further Reflections on the Seven Days in Toni Morrison's Song of Solomon." Literary Griot: International Journal of Black Expressive Cultural Studies 13.1-2 (2001): 147-59.

  179. Thomas, Valorie D. "'1 + 1 = 3' and Other Dilemmas: Reading Vertigo in Invisible Man, My Life in the Bush of Ghosts, and Song of Solomon." African American Review 37.1 (2003): 81-94.

  180. Thompson, Carlyle V. "'Circles and Circles of Sorrow': Decapitation in Toni Morrison's Sula." CLA Journal 47.2 (2003): 137-74.

  181. Toda, Yukiko. "Toni Morison no Sura Ni Okeru Porikuronotoposu no Kozo." Kobe Jogakuin Daigaku Kenkyujo Yakuin/Kobe College Studies 47.3 (2001): 173-85.

  182. Tonegawa, Maki. "Shadrack no Sherushokku: Sula Saiko." Studies in American Literature (Kyoto, Japan) 38 (2001): 135-51.

  183. Torres, Roberto. "La Africanización Del Sujeto Como Constructo De La Identidad Racial Del Blanco En La Novela Cumboto, De Ramón Díaz Sánchez." Afro-Hispanic Review 20.2 (2001): 8-17.

  184. Traore, Ousseynou B. "Where to Dry Ourselves: Essays Celebrating Achebe & Morrison at 70." Literary Griot: International Journal of Black Expressive Cultural Studies 13.1-2 (2001): 1-160.

  185. Treherne, Matthew. "Figuring in, Figuring Out: Narration and Negotiation in Toni Morrison's Jazz." Narrative 11.2 (2003): 199-212.

  186. Trussler, Michael. "Spectral Witnesses: The Doubled Voice in Martin Amis's Time's Arrow, Toni Morrison's Beloved and Wim Wenders' Wings of Desire." Journal of the Fantastic in the Arts 14.1 (2003): 28-50.

  187. Valkeakari, Tuire. "Beyond the Riverside: War in Toni Morrison's Fiction." Atlantic Literary Review 4.1-2 (2003): 133-64.

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  190. Vega-González, Susana. "A Comparative Study of Danticat's The Farming of Bones and Morrison's Beloved." Estudios Ingleses de la Universidad Complutense 13 (2005): 139-53.

  191. ---. "Memory and the Quest for Family History in One Hundred Years of Solitude and Song of Solomon." CLCWeb: Comparative Literature and Culture: A WWWeb Journal 3.1 (2001): 13 pars.

  192. ---. "Toni Morrison's Water World: Watertime Writing in Love." Grove: Working Papers on English Studies 11 (2004): 209-20.

  193. Wall, Cheryl A. "Extending the Line: From Sula to Mama Day." Callaloo: A Journal of African-American and African Arts and Letters 23.4 (2000): 1449-63.

  194. Wang, Chih-ming. "The X-Barred Subject: Afro-American Subjectivity in Toni Morrison's Song of Solomon." Studies in Language and Literature 9 (2000): 269-88.

  195. Wardi, Anissa J. "Inscriptions in the Dust: A Gathering of Old Men and Beloved as Ancestral Requiems." African American Review 36.1 (2002): 35-53.

  196. ---. "A Laying on of Hands: Toni Morrison and the Materiality of Love." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 30.3 (2005): 201-18.

  197. Washington, Teresa N. "The Mother-Daughter Àjé Relationship in Toni Morrison's Beloved." African American Review 39 (2005): 171-88.

  198. ---. "Re-Embodiment of Mother-Daughter Àjé Relationship in Beloved." Literary Griot: International Journal of Black Expressive Cultural Studies 13.1-2 (2001): 100-19.

  199. Watson, Reginald. "The Power of the 'Milk' and Motherhood: Images of Deconstruction in Toni Morrison's Beloved and Alice Walker's the Third Life of Grange Copeland." CLA Journal 48.2 (2004): 156-82.

  200. Weathers, Glenda B. "Biblical Trees, Biblical Deliverance: Literary Landscapes of Zora Hurston and Toni Morrison." African American Review 39 (2005): 201-12.

  201. Webster, William S. "Toni Morrison's Sula as a Case of Delirium." Tennessee Philological Bulletin: Proceedings of the Annual Meeting of the Tennessee Philological Association 38 (2001): 49-58.

  202. Weinstock, Jeffrey Andrew. "Ten Minutes for Seven Letters: Reading Beloved's Epitaph." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 61.3 (2005): 129-53.

  203. White, Jonathan. "'Restoration of our Shattered Histories': Derek Walcott, The Middle Passage and Massacres of Native Americans." Agenda 39.1-3 (2002): 295-318.

  204. Widdowson, Peter. "The American Dream Refashioned: History, Politics and Gender in Toni Morrison's Paradise." Journal of American Studies 35.2 (2001): 313-35.

  205. Wolfe, Joanna. "'Ten Minutes for Seven Letters': Song as Key to Narrative Revision in Toni Morrison's Beloved." Narrative 12.3 (2004): 263-80.

  206. Wu, Yung-Hsing. "Doing Things with Ethics: Beloved, Sula, and the Reading of Judgment." MFS: Modern Fiction Studies 49.4 (2003): 780-805.

  207. Yancy, George. "The Black Self within a Semiotic Space of Whiteness: Reflections on the Racial Deformation of Pecola Breedlove in Toni Morrison's The Bluest Eye." CLA Journal 43.3 (2000): 299-319.

  208. Yoo, JaeEun. "'Talking to You and Hearing You Answer—That's the Kick': History and Dialogue in Toni Morrison's Jazz." Exit 9: The Rutgers Journal of Comparative Literature 7 (2005): 87-101.

  209. Young, John. "Toni Morrison, Oprah Winfrey, and Postmodern Popular Audiences." African American Review 35.2 (2001): 181-204.

  210. Yu, Jeboon. "[A Study on Aesthetics of Fantasy and Mimesis: Identity and Representation of Ethnic Literature in the U. S. A.]." Journal of English Language and Literature/Yongo Yongmunhak 49.3 (2003): 651-69